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雪地里的两棵老树---黄永砯油画作品欣赏

2020-03-23 20:29:45 长春都市网 点击:+ 评论:()
榛勬案鐮紙1954.02-2019.10锛夛紝绂忓缓鍘﹂棬浜猴紝鍚庡叆娉曠睄銆佸畾灞呭反榛庛

 

黄永砯(1954.02-2019.10),福建厦门人,后入法籍、定居巴黎。1982年毕业于浙江美术学院。中国当代艺术潮流中最为重要的艺术家,与森达达、艾未未并称为中国当代艺术的“三巨头”,与徐冰、蔡国强、谷文达被媒体封为中国当代艺术“四大金刚”,被法国文化部授予“文学艺术骑士”勋章,被联合国教科文组织授予“文教科学推广艺术奖”,荣登“2017世界最贵重10件现当代艺术品排行榜”。

Huang Yongping(1954.02-2019.10), a native of Xiamen, Fujian, later moved to France and settled in Paris. He graduated from Zhejiang Academy of Fine Arts in 1982. The most important artists in Chinese contemporary art trends, together with Senda Dada and Ai Weiwei, are known as" the big three head" of Chinese contemporary art, and Xu Bing, Cai Guoqiang, and Gu Wenda have been named as" the Four King Kongs" of Chinese contemporary art by the media. French Ministry of Culture awarded the "Knight of Literature and Art" medal, and the UNESCO was awarded the "Culture and Education Science Promotion Art Award", and was awarded the "2017 World's Most Valuable Contemporary Art List".

黄永砯学油画出身,后来以装置艺术为主,但他也画了大量的油画作品。他的油画作品从构图、色彩、光线方面并不中规中矩,一如他的装置艺术作品,仍然坚持了他一贯的最坦率和最深刻突出主题的目的,体现了他的反艺术牲点,但同时又充满着机智的玩笑、深入骨髓的挖苦、或者浪漫的诗意,透露着哲学、文化、政治思考。

Huang Yongpingstudied oil painting and later mainly ed on installation art, but he also painted a large number of oil painting works. His oil painting works are not satisfactory in terms of composition, color, and light. Like his installation art works, he still adheres to his usual purpose of being the most frank and most profoundly prominent themes, reflecting his anti-artistic traits, but at the same time It is full of wit jokes, deep-seated sarcasm, or romantic poetry, revealing philosophical, cultural, and political thinking.

仙境(Wonderland) | 78cm*46cm 1975

秋水(Autumn Water) | 80cm*45cm 1975

驰骋(Gally) | 80cm*45cm 1975

上面3幅作品创作于1975年,那时黄永砯刚20出头,还在读高中。从《仙境》《秋水》《驰骋》这三幅作品中,可以看出画家比较注重技巧的运用,注重结构的平衡、明暗的对比、色彩的渲染等绘画技巧。可以看出画家的精心布局、精雕细琢,仙景缥缈、秋水静谧、驰骋无边,平淡中见神奇、轻松中显才华。

The above three were created in1975, when Huang Yongping was in his early 20s andwas still in high school. From these three oil paintings"Wonderland", "Autumn Water" and " Gally ", we can see that the artist pays more attention to the use oftechniques, ing on structural balance, contrast between light and dark,and rendering of colors. It can be seen that the artist's careful layout andcraftsmanship, fairy scene, quiet autumn, and boundless gallop, see magic inplainness, and show talent in ease.

下面8幅作品创作于1989年到1998年之间,也就是画家35岁--44岁之间的作品,这个时候他正值年富力强、思想风格臻于成熟阶段,也是艺术家创作的鼎盛时期。1986他创立了“厦门达达”,提出口号“不消灭艺术,生活不安宁”;1987他的代表作《中国绘画史和西方现代艺术简史在洗衣机洗两分钟》出笼,奠定了他在中国现当代艺术史上的地位,声名鹊起;1989年他开始参加国际大展,誉冠全球。这些油画作品也已经没有那么中规中矩,他早已不看重创作手法上的功夫。这8幅作品有静物、有风景、有人物。

The following eight pieces were created between 1989 and 1998, that is, between the ages of 35 and 44 of the artist. At this time, he was at a time when he was strong, and his ideological style reached maturity. It was also the heyday of the artist's creation. In 1986, he founded "Xiamen Dada" , The most extreme and rebellious group of contemporary art movements,and put forward the slogan "Don't destroy art, life is restless"; in 1987, his masterpiece "History of Chinese Painting and Brief History of Western Modern Art Washed in a Washing Machine for Two Minutes" was founded, which established his current status in China. His status in the history of contemporary art has risen to prominence; in 1989, he began to participate in international exhibitions and became world-renowned. These oil paintings are no longer so well-regulated, he has long no longer valued the creative effort.These 8 oil paintings have still life, scenery and people.

牡丹(Peony) | 76cm*50cm 1989

装饰(Decoration) | 96cm*46cm 1989

花瓶 (Vase) | 52cm*62cm 1998

无题(Untitled) | 78cm*89cm 1998

静物不静,里面掩饰不了画家跳动不安的灵魂。雍容华贵的《牡丹》长成一竖条状,叶子绿到发黑。《装饰》一块板又一块板错落有致,又是怎样的逻辑关系呢?《花瓶》里的绿植分明已经活起来了,焕发着生机、郁郁葱葱。《无题》上的人物,你们在谛听着什么?还是在祈祷着什么,抑或是在载歌载舞?

The still life isn't still, and the painter's beating soul cannot be concealed inside. The elegant and luxurious "Peony" grows into a vertical strip, with green to black leaves. In "Decoration", one board after another is staggered,What is the logical relationship? The green plants in "Vase" are clearly alive, glowing and lush. What are you guys listening to in "Untitled"? Still praying, or singing or dancing?

雪地里的两棵老树(Two old trees in the Snow)| 62cm*55cm 1998

树林 (The Woods) | 60cm*90cm 1998

飞瀑(Flying waterfall) | 62cm*30cm 1997

风景无景,《雪地里的两棵老树》,没有婆娑枝叶,没有冲天虬枝,两根树桩顽强的矗立,树桩之粗与树枝之细,形成鲜明对比,好像枯木逢春。远处天穹苍茫,一片混沌,好在阴云后面可以看到些许湛蓝,这浪漫像是调侃老天似乎并非完全糊涂。《树林》看上去是清楚明白的,但细看又不明白,树中间是什么,是路?是水?水流向何方,路引向哪里?《飞瀑》倒可以感觉到画家笔触的奔放和凝重。

There is no scenery in scenery, "Two Old Trees in the Snow", there are no Lush foliage branches, no stubborn branches, two stumps stand stubbornly, the thickness of the stump and the thinness of the branches form a sharp contrast, like the dead wood come back to life. In the distance, the sky is vast and chaotic. Fortunately, a bit of blue can be seen behind the cloudy clouds. This romance seems to be ridiculing God is not completely confused. "The Woods" is clear obviously, but if you look closely, you don't understand. What is in the middle of the tree, is the road or water? Where does the water flow and where does the road lead? "Flying Waterfall" can feel the unrestrained and dignified brush strokes of the artist.

琴瑟和鸣(Qin Se He Ming)| 60cm*52cm 1998

《琴瑟和鸣》应该属于风俗类的人物画,但说是风俗不如说是场景,是一个乐队在演奏,人物并非维妙维肖,却也各具形态,甚或丑态可掬。我们去歌厅,是不是邂逅过这样的放浪形骸!

"Qin Se He Ming"should belong to the custom figure paintings, but it is better to say that thecustoms are scenes. A band is playing. The characters are not beautiful, butthey have different forms, even ugly. We went to the concert hall, haven't we met such a Unrestrained scenes !

我们相信,黄永砯的油画必将与他在当代艺术史上的地位一样永远熠熠生辉!

We believe that Huang Yongping's oil paintings will always be as brilliant as his status in the history ofcontemporary art !

(文/黄安杰 陈伟胜)

(Text / Huang Anjie Chen Weisheng)

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